Designing its visual language means translating speculative research into immersive experiences. The identity system weaves historical aesthetics with futuristic motifs, mirroring the Institute’s inquiry into time and possibility.
Print materials evoke a tactile, archival quality, while video assets play with fragmentation and distortion, suggesting shifting narratives. A dynamic interplay of colour, texture, and imagery ensures adaptability, maintaining cohesion across evolving research themes.
More than a design system, it is an invitation—to immerse, disrupt, and rethink time as something fluid, to be questioned and reimagined.
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